The House at Black Tooth Pond
Reviewed by Anthony Servante
The Author
Stephen Mark Rainey is the author of numerous novels, including BALAK, THE LEBO COVEN, DARK SHADOWS: DREAMS OF THE DARK (with Elizabeth Massie), BLUE DEVIL ISLAND, THE HOUSE AT BLACK TOOTH POND, and others, including several in Elizabeth Massie's Ameri-Scares Series for Young Readers. In addition, Mark's work includes six short story collections; over 200 published works of short fiction; and the scripts for several DARK SHADOWS audio productions, which feature members of the original ABC-TV series cast. For ten years, he edited the multi-award-winning DEATHREALM magazine and, most recently, the best-selling anthology, DEATHREALM: SPIRITS (Shortwave Publishing). He has also edited anthologies for Delirium Press, Chaosium, and Arkham House. Mark lives in Martinsville, VA, with his wife, Kimberly, and a passel of precocious house cats. He is a regular panelist on the weekly Lovecraft eZine Podcast and an active member of the Horror Writers Association.
AIKEN MILL, VIRGINIA… A legend-haunted town in Sylvan County, located in a remote, mountainous corner of the state. With its long history of countless deaths and disappearances, Aiken Mill has become known to law enforcement as “The Cold Case Capital of the World.”
Now, an unidentified, mutilated body has turned up in the town. During his investigation, Sheriff Bryce Parrott discovers frightening clues that lead him to believe some ghostly force—or entity—may be responsible for the killing.
While exploring the darkest corners of Sylvan County, psychology professor Martin Pritchett and his brother, Phillip, happen upon a crumbling, century-old house beside a body of water called Black Tooth Pond. A strange compulsion leads both men back to the house time and time again, but neither can remember any of the events that occur there.
As both Sheriff Parrott and the Pritchett brothers attempt to solve their respective mysteries, their paths begin to converge—paths that lead inexorably to the ancient, foreboding house at Black Tooth Pond.
A Summary
Now, an unidentified, mutilated body has turned up in the town. During his investigation, Sheriff Bryce Parrott discovers frightening clues that lead him to believe some ghostly force—or entity—may be responsible for the killing.
While exploring the darkest corners of Sylvan County, psychology professor Martin Pritchett and his brother, Phillip, happen upon a crumbling, century-old house beside a body of water called Black Tooth Pond. A strange compulsion leads both men back to the house time and time again, but neither can remember any of the events that occur there.
As both Sheriff Parrott and the Pritchett brothers attempt to solve their respective mysteries, their paths begin to converge—paths that lead inexorably to the ancient, foreboding house at Black Tooth Pond.
The Critique
Stephen Mark Rainey writes literary horror like it's nonfiction. Don't get me wrong. His work is fiction, but the story structure, the characters, and the believable supernatural aspects just seem real. It's this realism that elevates Rainey's stories to a literary level.
Rainey employs a classic three act story structure that is tight and well developed, with each act driving the story to the next act with seamless transition. And not just seamless but suspenseful and damn entertaining as well. Most horror novels tend to save the third act for the major frights, but Rainey makes three acts seem like one, building tension and suspense in equal measure from the first page to the last.
And by the time you get to the end, you are invested in the lives of each of the story's characters and how they intertwine with each other, as well as the supernatural element. You care just as much about their personal problems as you do with their connections to the horror aspects. You cheer them on to succeed personally and narratively. You care who will live and who will die. You watch lives unfold amidst a growing mystery. In other words, these characters are real to the reader.
I see other reviews calling this Lovecraftian. I think we're past calling Mark Stephen Rainey's work "Lovecraftian". It's time to use the more applicable moniker: Raineyan, for Real Horror.