Wednesday, December 11, 2024

 



Off Kilter TV: Where Horror Rears its Ugly Head 

on Family Television


Pigmalion Episode from King of the Hill

Guest Starring Michael Keaton



King of the Hill—Pigmalion Season 7, Episode 9

Directed by Dominic Polcino and Klay Hall

Written by Jonathan Collier


Spoilers!

This article deconstructs the episode Pigmalion in an effort to describe the “gothic” elements inherent in its plot; thus, the beginning, middle and ending are discussed in some detail, so it is assumed readers are King of the Hill fans who have already seen the episode or non-fans who simply like to read the Off Kilter TV column. Thank you.


Typically, King of the Hill revolves around the Hill family. Hank, the patriarch, has trouble with the family or with the propane business where he works; Peggy, his wife, the intellectual manqué, has to deal with her substitute teaching responsibilities or her modest newspaper column where she is her own best reader; Bobby, their son, is an outgoing young preteen whose growing pains aggravate Hank and challenge Peg’s mothering skills. And then there’s Luanne. She is the niece of Hank and Peggy; she is attractive and either late teens to early twenties. She has trouble finding work and keeping a job.


Which begins our episode for today.


When Peggy hears the restaurant manager scolding Luane, who works there as a waitress, she bullies Luanne into quitting. Then in typical Peggy fashion, she enrolls the girl in a Learning Annex-type class on setting up your own business (the joke here is that Peg takes these fly-by-night classes verbatim over college courses, which would be the better choice for the university age girl). The teacher of the class turns out to be Trip Larsen (voiced by Micheal Keaton), owner of Larsen Pork Products. Trip is attracted to Luanne in a strange way that we will discuss later, but for now let’s just say he asks her out on a date under the guise of asking her to interview for a job. They soon become a couple.


Peggy, of course, tries to break them up, and Trip responds by first trying to kill Hank, who is ignorant of the attempt, and then leaving a headless pig carcass on her doorstep. She is aghast, but Hank and his friends are grateful for the gift of free meat. Peg realizes Trip is crazy and devises a way to keep him away from her niece. Peg’s ploy backfires on her, and she unwittingly drives Luanne into his arms and into his home. She moves into the mansion.


It is about here that we see the Hitchcockian elements emerging. There is the older professional man of mystery falling for the naïve and innocent girl who is intrigued by the worldly and wealthy man. He lives in a gothic mansion, where pigs run freely. The slaughter houses are about a quarter mile from the mansion. Trip’s requests to Luanne become more and more threatening as his voice waivers between soft and demanding. In Vertigo tradition, Trip begins to remake Luanne into the image of some bygone lover or someone. He starts with the hair-do, pig-tails of course, then the hair color, (wickedly red in a scene where Luanne awakes to find her head covered with the bloody colored dye), but it isn’t until he forces her to dress in a milkmaid’s outfit that we realize that Trip has been turning her into the Larsen Pork Products Girl (sort of a knock-off of the St. Pauli Girl).


The Pork Girl was created by Trip’s grandfather, and he has obsessed over her since he was a child. Dressed as a pig, and utterly mad, Trip attacks Luanne. Peggy and Luanne run into the slaughter house and turn on the machines in an effort to lose Trip. As he stands on the conveyor belt headed for the bolt device, shaped like a metal stake, that pierces skull of the pig before it enters the area for butchering, Trip passes through a Jacob’s Ladder strand of electricity designed to shock the pig before it is killed. When Trip is shocked, he regains his sanity and wonders where he is. Here the story could have ended. Trip is okay. He asks Luanne’s pardon. Peggy says I told you so. End of a regular episode. But this is an Off Kilter TV episode. The conveyor belt kicks in and drags Trip into the whirling blades. He is chopped to bits. In a Hitchcock movie this would be normal, but for an episode of KOTH, it is murder. It does not fit the happy go lucky pattern we have come to expect from our comedy show. Peggy does a whoops joke, but it’s too little, too late. The punishment was way too out of proportion for the crime. He was obsessed with a cartoon label; he remade Luanne in its image. So he was killed in a gruesome manner befitting a pig to the slaughter. Get it: Pigmalion. In Pygmalion, the old rich gentleman turns the poor uneducated woman into a “lady.” In Pigmalion, the old entrepeneur turns Luanne into a mascot, and he in turn is turned into a pig, as in pig meat. It’s funny, if you’re Uncle Fester.


By now, you might recognize the Gothic elements of the story, things not out of place in an Ann Radcliffe or Daphne du Maurier page-turner: The mysterious mansion, the crazed older man of the house, the young mistress taken by the elder gentleman, and a secret hidden behind love and doubt. Author Jonathan Collier, who wrote this episode, has much experience dealing with mysteries as he has written for Bones and Monk, two detective shows that revolve around death and crime. How he got his ending to Pigmalion into the show is probably a mystery worth solving. It’s pretty clear in the final words of Luanne and Peggy:

[Luanne's crazed boyfriend has fallen into a pork processing machine] 
Luanne Platter: Well, at least Trip seemed happy, and now he's in a better place. 
Peggy Hill: Honey, Trip had a mental breakdown and is now a sausage. That's not a better place. But you learned to defend yourself.

Luanne Platter: So, it’s a happy ending after all.




Monday, December 9, 2024

 

Hide-and-Seek



Summer had finally arrived and we were glad to be through with the fourth grade, headed for the fifth. With school out for three months, playtime was in again, and there was nothing we enjoyed more than a good old game of hide-and-seek.


Our small group of players included the Mojave twins, Beanie and Stevie, me and Catch-Up, who was being kept back in the third grade again. He said that someday he would catch up to us in grade and ever since he said it we have called him “Catch-Up.” He grew so fond of the name that whenever we couldn’t find him and had to yell “ALL YE ALL YE EXTRA ALL GO FREE!”, he would yell back, “CATCH-UP FREE!” instead of using his real name, which was Ernesto.


Catch-Up was a pro at hide-and-seek. We must have called him FREE! in every game he ever played with us since he first moved into the neighborhood two years ago. Whenever he was called home FREE!, he would always pop up out of nowhere. Now you don’t see him, now you do. It was spooky. He was either the best player in the neighborhood or he was tricking us. That day when school let out, I came to the conclusion that he had to be cheating. There was no other explanation. I refused to waste my whole summer playing hide-and-seek with someone who was cheating. We never found him or his hiding places, so he had to be using other ways to win every time. The time came to kick Catch-Up out of our group of players. We could still play with only three of us. We didn’t need four players, especially when one was a cheater.


The next day I met with the Mojave twins to discuss the matter of kicking Catch-Up out of the group. We held the meeting at my house since Dad was at work and Mom didn’t speak English and wouldn’t know what we were talking about. I really didn’t want her to hear that we were about to kick Catch-Up out of our group. She liked little Ernesto, as she referred to him in Spanish, and I doubt she would have approved of our move against him.


“He has to be cheating. How come we never find him?” I asked the twins.


“Maybe he’s just a good player,” Beanie suggested, trying to defend him. “Just ‘cause we can’t find him doesn’t mean he’s cheating. We almost found him once. Remember?”


“I remember that night,” Stevie beamed, as if it were a day of legend or something short of a miracle. “His mother called him in ‘cause it started to rain and he didn’t have his jacket on. We were getting ready to yell “ALL YE ALL YE EXTRA!” when he came out of nowhere. He just appeared right behind us. All we had to do was turn around and we would’ve caught him. We almost did catch him that night.”


“Yeah, almost,” Beanie sighed, and the memory brought a smile to his face.


“Well, ‘almost’ don’t count,” I whined. “You either find him or you don’t. And we didn’t. We didn’t see where he was hiding. For all we know, he might have been following us around. Maybe he didn’t even have a hiding place. That’s against the rules, isn’t it?”


“I never heard of that rule,” Stevie protested modestly.


“Maybe he was hiding inside that apartment behind us. The rules say no one can use the insides of houses to hide or go across the street to hide—only the outsides on this block can be used. You guys remember those rules, don’t you? We’re the ones who made them up way before Catch-Up even moved to our block. I say he’s cheating. And how long should we stand for it when we know we’re never going to find him? Why bother even looking?”


“Maybe we shouldn’t give up either,” Beanie said. “I don’t want to be a quitter.”


“It’s not quitting to stop looking for a cheater. It’s quitting to keep looking for him when we know we’re never going to find him. Understand?” I stared Beanie down until he nodded his head that he understood.


“Kind of, but what about Catch-Up? He never did anything to us. Don’t you think we’re going to hurt his feelings?” Beanie tried but couldn’t suppress another sigh.

“He should’ve thought of that before he cheated us,” I said.


Stevie avoided meeting eyes with me but managed to agree somewhat reluctantly. “Well, I guess I don’t want to end up looking for him forever. But I don’t want to be the one to tell him, that’s all.”


“Me neither,” Beanie added. “I like him too much.”


“Don’t worry, I’ll do it.” I rubbed my sweaty palms on my pants. “Tonight he’s out.”


Catch-Up’s jaw fell open when I told him. He looked to the twins for some sign that it was all some kind of joke, but they avoided his gaze. “You guys don’t want me to play with you anymore, really?” he asked them.


“You shouldn’t be asking us,” Stevie said, pointing to me. “Ask him.”


“You don’t want me?” His wide-eyed look fell clumsily on me.


“It’s just that we can’t find you,” I said. “You’re too good to be playing with us. The guys across the street play better than us. Maybe you should play with them.”


“My mother doesn’t want me going across the street. She wants me only to play with you guys.” He wiped his runny nose with his dirty sleeve as he fought to keep the tears from flowing. “I could let you find me, if you want. I just want to play with you guys, not anyone else. I’ll let you find me, I swear.”


“It’s not the same thing,” I insisted, ignoring the pleas in his voice. I had hoped after I told him he was out that he would simply leave without a word, that he would merely accept it and walk away unfazed. I didn’t think he’d get watery eyes. I had to counter his tears somehow. The twins looked like they were ready to change their minds and back Catch-Up. I had to act quick. “You go play with someone else. You’re too good for us. We can never find you.”

“How ‘bout I don’t play but just go along with you? My mother likes me to play with you. Come on,” he begged, and the tears broke free.


“No,” I said, interrupting Stevie who was about to say something. He was quiet now. And Beanie stared down at he ground, pretending he wasn’t there, never once looking up at us.


Catch-Up wiped the tears on his cheeks, and composing himself as best he could, he said, “That’s okay if you don’t want to play with me anymore, but I still want to be friends with you, okay? Okay? I don’t have to play. Really. I just want to hang around with you until my mother calls me in at night. Okay? Please?”


I said no again and in anger pushed him back. “Go away. You’re a cheater.”


“I’m not,” he sobbed. “I won’t get in your way. I swear I won’t.”


“I don’t care, you cheater. Come on, guys, let’s go and leave this cheater alone.” I walked off and the twins followed.


“I’ll see you guys maybe tomorrow!” Catch-Up shouted after us. “Okay? Okay?”


“Yeah, m-m-maybe,” Stevie stuttered.


“No,” I countered. “No way. You go play with someone else, Ernesto.”


“Okay then, if that’s what you want. My mother says that you know what’s right and wrong and that I should always listen to you. ‘Cause then maybe I’ll catch up to you in school.” His sobs calmed to gentle sniffles and a few whimpers. “You were the best friends ever. Bye.”


He waved at us, turned and walked away. And for the first time in over two years, we played hide-and-seek without having any fun.


The next morning the twins demanded that I let Catch-Up back into the group. I agreed. They were surprised but glad. I told them about my dream where Catch-Up was all alone in a forest at night. The trees were petrified, and there were no insects or birds or anything living anywhere around. Catch-Up was hiding somewhere in the forest, waiting for us to come and find him, but he didn’t realize that we weren’t going to search for him anymore and waited so long for us that he turned into one of the trees. I woke up shaking and crying, and felt alone and afraid. I suggested that we go find Catch-Up so we could apologize to him. No, not we. Me. The twins hadn’t caught my mistake: It was me who owed him an apology.


When we got about halfway to Catch-Up’s apartment complex, we saw his mother walking toward us. She looked like she hadn’t slept in days. She walked right up to us and stopped. Her eyes were red and glazed; they seemed to stare right through us.

“My son is dead,” she said emotionlessly. “Why wasn’t he with you? I told him to only play with you because you know better. You get skipped ahead in school, and my poor boy gets held back. He liked you so much. No brothers, no father—you were the men in his life. You were supposed to take care of him. Where were you? Why does everyone abandon him? I work, you know. I couldn’t watch him all the time. That’s why I told him to play with you till I got home. Where was he going? I told him never to cross the street. The truck driver said he didn’t even see him. My poor boy, where were you going? Where was he going? Tell me. Where?”


She reached over and grabbed a handful of my hair, but she immediately relaxed her grip and stroked the top of my head.


“You were supposed to take care of him. He liked you so much. Said that he wanted to read all the books you read, see all the movies you see, and have all the friends you have. Where was he going? Why? My poor boy.”


There was crying in her voice yet none in her eyes. She seemed drunk, though I knew she wasn’t. But she was drunk of a different kind that I didn’t understand. She walked away, glancing around as if she expected Catch-Up to appear out of nowhere. After she turned the corner, we remained quiet for a few minutes, waiting for someone to break the silence but not wanting to be the one to do it.


It was Beanie who finally spoke up. “What do you think happened?” The question was directed at me.


“I don’t know. Something about a truck, I think.” I tried to sound like I didn’t hear it right. I didn’t want to be the one to sum things up.


“I know where he was going,” Stevie said. “He was going to play with the kids across the street like you told him to.”


“Yeah,” Beanie agreed.


There, it was out in the open.


The twins glared at me with expressions of dishonor on their face. I could feel the resentment surging through them. But the hatred was short-lived. ”It’s our fault, also,” Stevie said to Beanie. “We should blame ourselves too for him being dead.”


“Wait a minute,” I cut in. “How do we know he’s dead?”


“His mother said,” Beanie answered.


“That doesn’t prove anything,” I argued. “His mother always acts weird like that. Maybe she just thinks he’s dead, but he’s really alive.”

“Maybe he ran away,” Beanie suggested.


“Maybe he’s lost,” Stevie added.


“Maybe he’s hiding,” I said with a wide grin on my face.


And after I said it, we all grew quiet for a Moment and let it sink in.


“Well, what are we waiting for?” I asked sarcastically. “Let’s go find him. Only this time we don’t quit. This time we find him.”


“Yeah,” the twins chorused. “Yeah, yeah, yeah.”


It was early afternoon, and the brightness of the sun made hide-and-seeking too obvious, too easy. Hide-and-seek was a game for the night. Under daylight there didn’t seem to be too many places to hide, and soon we had explored all the possibilities. But Catch-Up was a pro and must have found the impossible places to hide in. We had to search where we wouldn’t even think of searching. It would be there where we would find him. And everything would be back to normal.


We searched the garbage cans, the trash bins, under cars, between the long bedspreads hanging out to dry, behind bushes, up in the trees, beneath porches, on roofs, almost every square inch of the block. And the same thought kept occurring to me: Maybe Catch-Up was cheating. But no. He was hiding somewhere. He was somewhere. We continued searching even as the sun went down, and the long shadows stretched like black carpets laid out for the night.


We were exhausted, but we kept going. We split up and renewed the search. I must’ve looked in the same places a dozen times each. I checked the locks on several garage doors to make sure Catch-Up wasn’t hiding inside. They were all securely locked. I saw Stevie by the clotheslines and went to join him. “Where’s Beanie?” I asked.


“Right here,” he said, stepping out of a shadow made by the telephone pole.

“You scared the hell out of me. I didn’t even see you there. With those dark clothes on, you looked like part of the shadow. Don’t ever…”— Then it struck me. “Beanie, step back into the shadow.”

He did, and vanished into thin air. I could make out his face a bit in the dark, but that’s because I was squinting and trying to see him. If I wasn’t looking for him, I wouldn’t even know he was there.

“That’s it. Don’t you see? Catch-Up was using the shadows to hide in. He wasn’t cheating. He was there right in front of us the whole time. Don’t you see?” I pulled Beanie out of the shadow and stood in it myself. “Can you see me?”


“Yeah, with that white T-shirt on I can,” Stevie replied.


I yanked off the T-shirt and stood still for a Moment so my brown skin could blend in with the darkness.


“Hey, that’s pretty good. I can see you but not completely,” Beanie said. “Let’s hide. Stevie, you try to find us.”


And the game began. We found literally hundreds of shadowy hiding places all over the block. Anything that could cast a shadow was a potential hiding place: a parked bus, a tree, bushes, buildings, garages, almost anything. We ran around, screaming for joy when we found a new shadow to hide in, finding each other with ease as we became accustomed to the game at hand. Catch-Up was playing a different kind of hide-and-seek than the twins and I were used to. How could I think he was cheating? We were cheating ourselves out of a better version of the game. Yet he looked up to us.

Completely exhausted, we fell on the moist lawn of Mrs. Garcia’s front yard. We sat there, trying to catch our breath. Suddenly, four teenagers walked menacingly up to us. We stood, readying ourselves to run off if one of them pulled a knife on us. When they moved beneath the street light and I saw their faces, I recognized them as the high-school dropouts who lived across the street. I had seen them many times spray-painting their nicknames on the walls in our neighborhood.


“Did you know the retard kid that got killed last night?” the one referred to as Puppet wanted to know.


“We don’t know any retarded kids,” I answered.


“Yeah, sure you do. You know, the one that got run over by the truck last night. He lived around here somewhere,” Puppet said, glancing around.


“Why do you want to know?” Beanie asked.


“’Cause we’re going to rob the place when his mother’s at the funeral,” the one labeled Jughead divulged.


“Shut up, pendejo,” Puppet scolded him. “Don’t tell them everything.”


“I didn’t tell them nothing they can do anything about,” Jughead apologized half-heartedly.


The other two wannabe gangsters stood like sentries in the background.


“Well, where’s the retard’s house?” Puppet demanded.


“His mother doesn’t have any money,” Stevie tried to explain. “She lives real poor.”

“Not from what we heard,” sneered Jughead. “We heard she earns her money on the streets and on the sheets.”


“I told you to shut up, vato,” Puppet growled. “So keep it shut. Now, you kids, I’m going to ask you one more time: Where does she live?”


“Nowhere. And you leave her alone,” I warned them. “We know who you are and where you live, and we’ll tell the cops what you told us. So you better get out of our neighborhood and forget about robbing anyone.”


“We have a hero here, eses,” Puppet mocked. “What shall we do with the big hero?”


“Kill him,” Jughead threatened.


“He’s all yours, Jughead, my man.” Puppet stepped back.


Before I could run, Jughead swung a fist that caught me square on the shoulder. I punched him back, and he laughed at the feeble little hits. He grabbed me by the neck with his hairy gorilla hand and lifted me off the ground. Then Puppet snapped his fingers and the two sentries attacked the twins. I could hear their grunts as the bullies pummeled them. I felt dizzy; Jughead tightened his grip on my neck. Suddenly the porch light went on, and Old Mrs. Garcia, the widow with all the cats, ordered the seven of us to go play somewhere else.


I took advantage of the startled Jughead and kicked him below the belt. He dropped to his knees in agony, releasing me. I landed on my feet and charged the sentries, knocking them off balance, then yelled at the twins to run. We darted into the alleyway with the drop outs right behind us. Jughead seemed to have recovered quickly and led the pack. But we were younger and faster than them, and soon we outdistanced them enough to elude them in our new hiding places.


They searched all our old hiding spots. Puppet sent his soldiers to look for us on the opposite side of the alley, while he and Jughead checked the trash bins, closing up the exits from the alleyway. They kept walking right by us. We remained calm and quiet, still in the shadows, watching them as Catch-Up must have watched us while we searched for him. I fought back the giddy excitement that was welling up in my belly. But now was not the time to laugh.


Jughead took a knife from his back pocket and unfolded it.


“Good idea,” said Puppet and readied his own knife. “I’m going to cut them slow, the way heroes should die.”


Jughead cackled as if killing were not new to him. “They’re in here in this alley somewhere. They can’t get out. They’re trapped como ratones, vato.”


Puppet dragged the blade of his knife along the cement wall by the telephone pole shadow where Stevie stood hidden. The sparks from the knife lit up Stevie’s frightened face for a split second. “What have we here? Looks like dead meat.”


Stevie didn’t move as the drop out leader raised the weapon above his head. The shiny blade whooshed downward. The shadow swirled around Puppet’s arm and crushed it. I heard a big crack and then a bunch of little ones. He opened his mouth but didn’t scream. The blade dropped with a clang to the ground. But the shadow was not finished; it slithered like a snake into Puppet’s mouth then broke off all his teeth and carried them down his throat into his guts. I could hear him choking on the little pieces of his own teeth. He moaned as Jughead tried to figure out what was happening.


“Get over here,” Jughead yelled to his homies, who came just i

n time to see the darkness burst out of Puppet’s stomach. Teeth and blood and vomit struck the cholos’ faces. Additional shadows in the alley joined in the attack. Some had claws, some had fangs, others had black blades. The sentries swatted the darkness with trash can lids, but the shadows cut through the metal and twirled like black chainsaws into the scared faces of the two bullies. Their cheeks and noses and lips and eyebrows flew all over the place. Blood and snot ran out of the holes where their noses used to be. Jughead swung the knife in front of him, but a shadow covered his hand and the sound of breaking sticks echoed in the alley. The black snake returned and tore into one of Jughead’s ears and came out of the other. Lumpy stuff poured from his ear, as his jaw kept moving up and down like one of those wind-up skulls. Suddenly his jaw stopped and he dropped to the ground. The shadows came together and made the shape of a little boy. He waved to us. And then the shadows went back where they belonged—on the walls, on the ground, under the trees. I didn’t even notice that the shadows had put all the pieces of the four drop outs into a pile in the middle of the pavement.


It all happened so fast. I stepped out of my hiding place and looked at the pile of flesh steaming in the alleyway. The twins each grabbed one of my arms and told me to move, that we had to get out of there. As we ran across Mrs. Garcia’s front yard, we heard her screams coming from her backyard by the alley. She must have found the bodies. We stayed quiet on Mrs. Garcia’s front lawn and wondered what had just happened to us.


“The shadows saved me,” Stevie said.


“They saved us,” I corrected him.


There was an awkward pause as it all sank in. Then Beanie suggested, “We should get back to looking for Catch-Up.”


The words caught me off guard. I sat on the grass and sobbed till my body was sore. Stevie dropped to his knees and wept. Beanie knelt on one knee and cried as well. In the background police lights spun and police car radios buzzed with static voices. It seemed that we would never run out of tears, but we did. The search was over. We were beat by the best in the game of hide-and-seek, and our friend protected us. He had appeared out of nowhere again and helped us.


Throughout the neighborhood we could hear parents calling their children home from this night of violence and death. I heard my Dad calling. The twins heard their Mom yelling their names. We stood, wiped the tears and cleared the sniffles from our runny noses. Then together we shouted “ALL YE ALL YE EXTRA ALL GO FREE!” and ran home without waiting for the reply that we knew we would never hear again: “CATCH-UP FREE!


Reprinted by Permission of the Author, A.E. Espin

Sunday, December 8, 2024

 



Marcus Kliewer – We Used to Live Here


A Review in Internal Conversation


Written by Barry Lee Dejasu


When I talk to people about Marcus Kliewer’s 2024 debut novel We Used to Live Here, I face a bit of an issue when asked the obvious question that somebody unfamiliar with it is likely to ask: “What’s it about?”

Subsequent conversations can be very difficult to maintain. The part of me that respects storytelling and avoids spoiling works for others like the proverbial plague, and the enthusiastic genre fiction fan who excitedly wants to share details about the latest great book he's just read, get into a knife fight in my head.

What unfolds is an ongoing and internal projected dialogue of how exactly to describe the novel, which goes something like this...


So, what’s it about?

It starts off introducing a woman named Eve, who has recently moved into a big, beautiful house with her partner Charlie.


Oooh, a haunted house novel!

No, not quite. I mean…there are no ghosts or demons. It’s not that kind of a book. Eve and Charlie have purchased the house with the intent of flipping it and reselling it, and while Charlie is out one afternoon, Eve gets a visit from a family, whose quirky but charming patriarch Thomas announces that he grew up in that very house, and as the family was driving through the area, he hoped to stop by and show his family his childhood home.


Oh, I see, so it’s a home invasion tale?

Not…exactly. The family doesn’t break out weapons and hold Eve hostage. If anything, their worst offense ostensibly seems to be they’re very awkward. Thomas’ wife Paige is very high-strung, their sons are rambunctious and frequently pick fights with each other, and the youngest child, Jenny, is precocious and nosy. Eve is very torn about letting them in at all, but once she decides that they seem normal enough, she agrees to let them have a brief tour before sending them on their way.


Wait—she invites them in? Sounds like vampires!

Definitely not. In fact, there’s even jokes about that. No, the family seems to be just awkward and imposing, but, things start getting uncomfortable when the daughter discovers a dumbwaiter and takes it down to the basement…a place that Eve has largely avoided from the outset. And from there on out, things get very tense, very uncomfortable, and very disorientating.


I thought you said this isn’t a haunted house novel?

It’s not. I mean…not in any way you’d expect one to be.


Oh, wait, so it’s like Josh Malerman’s Incidents Around the House? Not ghosts, but still—

No. Not like that at all. And I don’t want to spoil what happens beyond what I’ve already said, which also already feels like I’ve said too much. Suffice to say, I guess I’ll mention some other things that make this novel a bit more…unusual.


For one thing, there are intervals throughout, coming in every couple of chapters, featuring online articles, chat room and social media discussions, and more—


Wait! So this is like Mark Z. Danielewski’s novel House of Leaves?

No-no. There are no lengthy detours and continuing narratives-within-narratives or footnotes here. These interludes are very short and seem to be unrelated to the rest of the tale. They’re honestly more like creepypasta excerpts, which is fitting because this tale started out with Reddit posts from the auth—


So it’s part of the recent trend of creepypasta-expanded novels like Felix Blackwell’s Stolen Tongues or Dathan Auerbach’s Penpal?

No, I didn’t say that. I just said that this involves excerpts of creepypasta-esque writings, which—


You mean like Kiersten White did in Mister Magic, or even Cynthia Murphy’s YA novel The Midnight Game?

…No. The excerpts have their respective relevance to the rest of the novel, but I won’t say more than that.


Oh—except for one thing: there are little collections of dots and dashes at the end of each of the excerpts. For those unfamiliar, these dots and dashes are something called Morse Code, an old analog wartime communication method—and each grouping in the interludes forms a new word. Be sure to look up a translation of each Morse Code word…you’ll ultimately understand not just what they’re all spelling out, but why.


But anyway, if you’re hell-bent on comparing this book to others to get a better idea of what it’s about, I suppose you could say it takes elements of Shirley Jackson’s classic novel The Haunting of—


I KNEW IT! This IS a haunted house novel!

For the last time: NO. Like I said earlier, the journey into the house is very disorientating, with a lot of surreal, trippy descriptions of the house’s very structure seeming to shift around, much like Hill House—


But I thought you said this wasn’t like House of Leaves?

Going to ignore that.


All I’ll leave you with is this: this novel is very, very disturbing. It won’t be obvious or apparent going in, but the deeper into the book—and house—you go, the more and more it ensnares you like a pitcher plant: you delicately pursue the intoxicating mystery inside, but when you find the horrors at its core, and realize the full extent of the sinister machinations that have been at work the whole way through, you can’t turn back. You can’t escape from what you’ve experienced. You’re trapped in a terrible existential revelation, absolutely wrecked by both what has occurred in the story—and what it may mean for everything you think you know.


So…it is like The Haunting of Hill House?

…I give up.


Just avoid all spoilers floating around online and go read Marcus Kliewer’s We Used to Live Here, hands-down the best debut horror novel of 2024.


Wednesday, December 4, 2024

 

Yesteryear's Poetry

 Seen with Older Eyes





Grave in the Garden

by Renee Blackwood

 

The earth open again

For a freshly dug grave

The resting place for a pet

Like a time capsule of a child's love

The homemade coffin is lowered

Gently into the hole in the ground

Now there is less earth

Now there is more pet flesh

Combined, rot and prayers

Create the new soil.

Dropping the spade and patting the dirt,

The child marvels at the fresh mound,

One of many, so many,

A ghostly garden of little skulls

Laid out in order like potatoes

In gramma's garden.

 Copyright 2021 March Grave in the Garden by Renee Blackwood

Thursday, March 11, 2021

 

Bedlam

by Cecilia Marquez

The baby's learned to live with bedbugs

Mommy and Daddy are too stupid to see

And blame the mosquitoes for the welts

But baby wakes when the light goes out

She waits for the critters to journey

From their hiding places in the walls

To reach their destination, her flesh,

Her blood, to gorge themselves plumply

With enough food for three months. 

You see, every night there are new groups

Of the bedbugs that make that journey

To feed while their brethren digests slowly. 

Once Mommy and Daddy saw baby covered

With dozens of the red oozing bedbugs, 

And said, "Look! Ladybugs". 

That's the only time baby ever cried. 

 Copyright 2021 March Cecilia Marquez

 

Wednesday, March 10, 2021

Ridiculous Flowers

by Mabelle Mayzi

In the city

there are no flowers

unless you count the cherry blossoms

that sit atop the black-n-whites

or the spinning roses

on top of the red wagons

that signal another house

turning to ash

or the black daisies

laid out for the strangers

who were blinded by death

or the mushroom cloud

that brightens our future

with hopes of jobs and shovels

our city is not concrete

it is dirt poor

flowers do not grow here

except in the gardens of death 

planted in every backyard

and every child's nightmare

our madness finds beauty

in such flowers

but from these flowers

fall seeds of hope

that sprout through the concrete walks

one day a human life will flower here

from the sidewalk

Wednesday, March 3, 2021

 The Laughing Tree

by Tithe Tidderwell

The laughing tree

Brags that it is invulnerable

I kick it in the belly

But it has there a thick trunk

And I hurt my foot

As it giggles

Then I try to snap off its arms

But there it has thorny branches

And I cut my fingers

As it guffaws

I yank its hanging apples

And it screams out,

"Hey, buddy, those aren't apples!"

Only now I'm the one laughing. 

Tuesday, December 3, 2024

 



Love, Death, and Globular Assimilation

David Sodergren – The Haar


Reviewed by Barry Lee Dejasu


Wowee, what a wild romp awaited me in David Sodergren’s short novel The Haar! While I had some idea of what to expect as far as plot points went, I wasn’t prepared for the surprisingly big heart that beat at the center of this strange, darkly hilarious, and gory little read.


This is the tale of Muriel McAuley, an old widow living in a small Scottish village called Witchaven. Muriel is one of a shrinking number of locals taking a stand against billionaire land developer Patrick Grant, who is buying out the village lot by lot to turn it into a golf course—and more and more of the locals are ultimately finding that money does, indeed, talk. But not Muriel—from the outset, she’s a tough as nails, honorable, and stubborn woman who won’t budge for a penny. She spent her whole life in Witchaven, and lives in the house that her late husband Billy had built for them, and it is there that she plans on spending the rest of her life, even as Grant sends more and more of his people—armed with wallets and, gradually, weapons—to persuade the last of the locals to move.


This is, however, a tale of supernatural horror—and the struggle against gentrification isn’t the only element of horror at work. With her allies, resources, and hopes on the decline, Muriel stumbles upon something strange—a mysterious, gelatinous organism that had crept in with the titular Haar mist…an organism with a taste for blood—and a few surprises of what it’s capable of when properly fed. To say more would be to spoil the insane fun of what ensues.


The Haar brings to mind the often comedically gory moments of Ed Kurtz’s novel Bleed, while also incorporating themes of loss and love with surprisingly candid and genuine presentation. It wears its bloody, still-beating heart on its sleeve, along with other various organs and viscera.


What’s also refreshing about this tale is that its main character is an old woman that isn’t corrupted or corruptible; Muriel’s struggles are far from a caricature, and her salty and headstrong attitude is justified. You truly care about her plight, and it’s easy to root her on with her at times gut-bustingly funny, unfiltered, no-nonsense exclamations.


Finally, a shout-out must be made to the cover artist Trevor Henderson, whose work has graced a number of other horror works. It’s strange and gory, but also kind of old-fashioned, a fitting look for the very retro cover design itself, a signature of Sodergren’s books. In an era of book covers being taken over by AI-generated imagery, original works of art such as this are of great value.


As short as this novel is, it packs a punch, while also managing to be very emotional and even touching amidst scenes of unflinching violence and blackened humor. If you haven’t read David Sodergren, The Haar is an excellent place to start.